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Instagram Ban

Well, I’m probably going to get a full ban on Instagram, due to a reply I made on IG. Once again, I was warned that a comment I made was like ones that have been reported.

The strange thing is the comment was made in reply to a comment by Rudi Meibergen that said by my comments about the Spotify’s reaming of artists were childish. Even those comnents were about Spotify’s unsavory attempt to steal streams from artists with less than 1,000 streams on a song. Nothing in my comments was inaccurate, but Rudi the troll could help but commit character assasination with his ad hominem attack.

And Rudi, the non-musician, claimed to be a musician on the platform, which he’s not. He’s a producer with less than a 100 credits on Muso.AI, and from what I can tell, no output at all on Spotify. So, he has been is a bootlicker hoping to procure some advantage by his kowtowing to the oligarchs.

As stated on another IG post, Daniel Ek, the chief fraudster of Spotify, scored $365 million in a stock sale. An artist would have to accumulate 115 billion streams in a year to get that kind of money. A neat deal considering that Drake has only accumulated 15 billion streams over his entire career.

As an aside, I really don’t care if IG bans me completely. As I keep getting threatening messages from Zuckerberg the Kike, my reach has declined 90% and as you can see from this graphic from Linktree shows that I get almost no traffic from IG.

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Completing Remixes Vol 3: A Marathon Session

selective focus silhouette photography of man playing red-lighted DJ terminal

After a marathon session, I have finally completed Remixes Vol 3. It is now 5:30 in the morning, and I am pleased with the results. The hard work and dedication have paid off, and I am excited to share my music with the world.

Now comes the next step – uploading the music to DistriKid for release. DistriKid is a popular platform that allows independent artists like myself to distribute their music to various streaming platforms.

When setting the release day, it is important to consider the preferences of the streaming platforms. Typically, they prefer a four-week period to ensure that the music is released on time. However, it is worth noting that these platforms rarely promote independent music.

Given this information, I have decided to set the release day for Remixes Vol 3 to January 17th. This allows for the four-week period while also taking into account the limited promotion opportunities. By setting the release day on January 17th, I can ensure that my music reaches the streaming platforms in time.

As an independent artist, it is crucial to make strategic decisions when it comes to releasing music. While the streaming platforms may not actively promote my music, I am determined to reach my audience and share my passion for remixes.

Stay tuned for Remixes Vol 3, coming soon on January 17th. I can’t wait to share my music with all of you.