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A Note

I’ve started another blog at https://all-about-music.ghost.io to cover slightly different topics than I cover here. I’ll also be posting more frequently there. Like this WordPress blog there’s no subscription fee to read most posts, though I’m hoping if you find the content useful that you’ll opt for one of the paying tiers.

The one big difference is that when you subscribe, either here or on all about music, you get emailed to you a copy of all posts, so you may not want more cruft in your mailbox.

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Garbage Picking, Part 4

I finally got around to hooking up the RCA plugs which are the only output jacks on the Clavinova CVP-50. Next step was to connect it up to the Zoom H8 portable digital recorder to see if the RCA plugs were connected to the right connectors on the Clavinova. At this point, the recorder was showing signal from the Clavinova when I started the Clavinova to play some music.

So I turned on the recorder to record something and it worked! I think the recorder to connected up AUX jacks on the Clavinova, though I don’t know whether I’ve got the right and left jacks connected up correctly, because there is a difference in the signals from the Clavinova. Gotta find a mirror to look at the connectors on the Clavinova because what I’m using as a reference is the French section of the user’s manual and the section with a description of the connectors is quite small and not detailed enough.

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Garbage Picking, Part 3

I have gotten to the point that most nights, after it has cooled off, I wipe down the Clavinova, and set it up to do a set of rhythms and then riff to those rhythms. It’s been so much fun to do that I’ve neglected to do the music making that’ll result in an album I’m trying to put together for the https:// Mirlo.space web site, mainly to see if I can make some money off of Mirlo.

And another thing about the Clavinova that I may not have mentioned before is that it not only has, I think, 31 rhythms in its repertoire, but each of those rhythms has a variation that you can switch back and forth between. What a find! I don’t think the Casio CGP-700 that I paid hundreds for is as much fun to experiment with. Admittedly, I bought the Casio 10 years ago, when I first started playing keyboards after a decades-long hiatus, and the experience I’ve acquired is greatly enhancing the enjoyment I get from playing an instrument.

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Spotify And Adding

Spotify is one of the least honest companies on the planet, adding is not in their genes. On June 21, they report 32 monthly listeners, but if you add up the listeners in cities, you get 47 listeners. Huh? See the evidence. The count they get is from the country list, which is obviously undercounting the actual listeners.

Just as one example, from the country list, the US has 17 monthly listeners, but the city list counts 32 monthly listeners.

So, do figures lie? Or do liars figure, you tell me.

Update: on June 29, Spotify reports 29 monthly listeners, but if you add up the count of listeners per city, you get 45 listeners. And I’m supposed to believe their reporting of streaming plays? I don’t think so. Spotify can’t even do basic math, while Danny Ek is funding AI.military companies.

Of course, these numbers are all suspect, as before Spotify stopped paying artists unless you got 1,000 streams per year on a song, I had approximately 2500 monthly listeners and a reasonable distribution of sources of those plays. Then, all of a sudden, I stopped getting what Spotify calls “algorithmic playlists”. Because Spotify stopped promoting my songs, my monthly listener count fell into the single digits. This continued for 15-16 months where I had little or no algorythmic playlist streams. Over the past month or so, those playlist streams have been coming back.

I have to believe that the algorithmic playlist decrease is that at the same time Spotify started to promote their own pay to play scam, previously a feature of the third-party ecosystem that grown up around Spotify. You see, you pay these scammers to get your music on a playlist, the playlist supposedly subscribed by humans.

That’s the whole scam, but there’s one hitch. Spotify’s user base went up from 200 million users to 600 million user in less than 2 years. If you think that those 400 million new “users” aren’t mostly bots, then I have a bridge to sell you.

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New Music, Part 2

Well, I’m still working on new music to post to https://mirlo.space and https://bandwagon.fm, so I decided to post a couple of tunes I did back around the first of the year to work out any bugs/difficulties in the upload process.

Things went pretty well with Mirlo, no huge complaints, but Bandwagon’s process doesn’t allow me to select the file containing the music to upload on any iOS device. I first put out a message on the fediverse explaining my plight, but most people don’t use Apple products. So I went and opened a issue in Bandwagon’s Github. Pate’s only suggestion was to try it from a computer.

What’s a computer? I haven’t had the need to use a computer for at least several months. iOS tools are almost advanced as the ones on my laptop, and they’re a helluva more convenient. What a drag.

So, no, I haven’t cranked up the laptop to see if I can complete to upload there. What a hassle, Bandwagon.