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New Tune Out Soon

Well, my trials with Mirlo.space continue. Five attempts to upload my new tune, full name “More Nervous Energy-250819-001” to Mirlo.space with attempts either terminated after 1/2 hour to an hour, or a relatively immediate abort with no file name given. The excuse is that the developers never thought anyone would use anything but a desktop to upload. This in the day-and-age when phones and tablets are almost as powerful as a desktop. The only excuse is that the developers still regard the software to be beta, though it seems more like late alpha software.

I hope to upload the tune to Bandcamp (https://jaypeach.bandcamp.com) tonight, and possibly upload to https://Mirlo.space from either my laptop, if it feels like working, or maybe my raspberry pi.

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Promotion

I decided to give a promotion company some business when I had a better month than usual with a decent distribution from Distrokid. I chose Apolone for a one month campaign for one of my songs

I decided to give the one month campaign a try although I never used Apolone before. This is the result of an almost completed campaign.

With this as additional support, of just the featured song:

So, 2,840 listeners in 28 days for a really bizarre sub-genre. Is that good? It’s better than I expected. At least I didn’t have to go through the bother of trying to hunt down playlists and then pitch my song to them. And now I have and idea of which playlists to pitch to in the future.

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Another Ghost .io Post

This one’s on Muso.AI, a credits database harvesting app/web site Here’s the link https://all-about-music.ghost.io/muso-ai-a-scam/.

For indie musicians, it doesn’t seem to be a good fit, as IDK what they bring to the table. I mean, if you’ve ever been played by someone trying to cut you out of a musical composition, IDK what Muso.AI is help with a situation like that.

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A Note

I’ve started another blog at https://all-about-music.ghost.io to cover slightly different topics than I cover here. I’ll also be posting more frequently there. Like this WordPress blog there’s no subscription fee to read most posts, though I’m hoping if you find the content useful that you’ll opt for one of the paying tiers.

The one big difference is that when you subscribe, either here or on all about music, you get emailed to you a copy of all posts, so you may not want more cruft in your mailbox.

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Garbage Picking, Part 4

I finally got around to hooking up the RCA plugs which are the only output jacks on the Clavinova CVP-50. Next step was to connect it up to the Zoom H8 portable digital recorder to see if the RCA plugs were connected to the right connectors on the Clavinova. At this point, the recorder was showing signal from the Clavinova when I started the Clavinova to play some music.

So I turned on the recorder to record something and it worked! I think the recorder to connected up AUX jacks on the Clavinova, though I don’t know whether I’ve got the right and left jacks connected up correctly, because there is a difference in the signals from the Clavinova. Gotta find a mirror to look at the connectors on the Clavinova because what I’m using as a reference is the French section of the user’s manual and the section with a description of the connectors is quite small and not detailed enough.

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Garbage Picking, Part 3

I have gotten to the point that most nights, after it has cooled off, I wipe down the Clavinova, and set it up to do a set of rhythms and then riff to those rhythms. It’s been so much fun to do that I’ve neglected to do the music making that’ll result in an album I’m trying to put together for the https:// Mirlo.space web site, mainly to see if I can make some money off of Mirlo.

And another thing about the Clavinova that I may not have mentioned before is that it not only has, I think, 31 rhythms in its repertoire, but each of those rhythms has a variation that you can switch back and forth between. What a find! I don’t think the Casio CGP-700 that I paid hundreds for is as much fun to experiment with. Admittedly, I bought the Casio 10 years ago, when I first started playing keyboards after a decades-long hiatus, and the experience I’ve acquired is greatly enhancing the enjoyment I get from playing an instrument.